David Tennant Audios: 'Tuesdays & Sundays' (2003) is an Audio Gem

As you all know by now, surely, I’m a David Tennant theatre buff, but right now I want to explore my other major passion with regards to his work: his audios. He’s done a bewildering amount of audio work and a lot of it is really, really good. With that in mind, I’m going to concentrate on one of my absolute favorite David Tennant audio works: a 2003 audio entitled Tuesdays & Sundays.

Based on a true story of an 1887 series of events between a young woman named Mary Tuplin and her lover William Millman in Margate on Canada’s Prince Edward Island, Tuesdays & Sundays begins with the young couple’s spirits as they “awaken into a void. As they question where they are, they recall and begin to relive the story which got them there: their giddy courtship and the overwhelming passions of first love, the pangs of a six-month absence, an unplanned pregnancy, and a guilty and shameful young man amidst a community in which respectability is of utmost importance. As they try to cope, to keep love amongst the fear and confusions of youth, these two spirits ultimately stumble upon their own tragic ending.”

Sounds intriguing, yes?

Tuesdays & Sundays was originally a 45-minute play written by Canadians Daniel Arnold and Medina Hahn. It was first performed in June 2000 in Edmonton, Canada, with the authors as the two principal characters William and Mary. Arnold and Hahn took the play on tours throughout Canada, Europe and the US and won many awards, including the Sterling Haynes Award for Outstanding Fringe Performance.

In 2003, Arnold and Hahn were asked to adapt the play for radio; one for Canada’s CBC Radio (which starred themselves) and once for the BBC. I spoke to Arnold about how the play got adapted, and he told me, “CBC Radio was the first to approach us about a radio version, and we performed it on CBC Radio with minimal adaptation. The Edinburgh Festival is where Sara Benaim of the BBC saw it, and asked about a radio adaptation for BBC Radio 4. We adapted the play accordingly, and…re-set it to [Tusket in] Nova Scotia, where there was much more Scottish settlement. Margate on Prince Edward Island was much more English. We made…the characters both immigrants from Scotland, which actually worked quite well.”

The BBC adaptation was broadcast on 16 June 2003 as the BBC Radio 4 Afternoon play and starred David as William and Claire Yuille (who later appeared in the first episode of 2010’s Single Father, credited only as a “Doting Mum") as Mary. And on top of all that, David and Claire also voiced all of the play’s other minor characters!

Of David’s turn as the young William Millman, Arnold told me, “We were quite taken with his performance in it.” He added, “We were thrilled when we learned David Tennant would play (my role) William…and when we heard the recording on the BBC, it sounded fantastic.”

And it DOES! In my opinion, there are so many reasons why this play is stupendous. David and Claire are top-drawer. The dialogue is back and forth, breathless and imbued with teenaged giddiness, bullet-paced and conversational - both with each other and in asides to themselves - and it must’ve taken some doing for the two actors to get this pace down just right without running over the top of each other and blurring it into chaos. But instead, it creates a perfect tension-filled atmosphere that draws an audience in and makes this play a must-hear.

By this time I imagine you’re wondering where you can hear or read this play. Well, here’s a partial script. Here’s the original Canadian radio broadcast at the Internet Archive (which is a great listen in and of itself) but, sadly, hearing David’s version had become a bit more difficult. The Internet Archive had a copy once but it’s been removed, and Arnold and Hahn’s DualMinds website has almost 5 minutes of the play, but as it’s based in Flash Player, good luck getting it to work. But I won’t tell if you won’t tell - so *ahem* go get it here while it’s still available!

Here’s a cute little David in advertising for the play - and below, some other historical information about the events the play is based on. If you don’t want to know anything about the play before listening to it (spoilers!) then don’t look beyond this photo!

The real Mary Pickering Tuplin was 17 years old when she was murdered, and her lover William Millman was convicted of the crime. Tuplin’s body was pulled from the Southwest River on July 4, 1887, just a short distance from where she lived with her parents in Margate. She had been shot twice in the head. Her body was weighed down with a heavy stone, and it was discovered she had been six months pregnant.

Authorities separated her head from her body for forensic examination, and - bizarrely - it was never reunited with her body. It remained in the coroner’s office, which eventually became a pharmacy. And there it remained until 2016, when it was finally reburied with the rest of her remains.

If true crime is your thing, you can access the entire report of the Tuplin-Millman murder trial, right here!

William Millman was convicted of Mary Tuplin’s murder and was sentenced to hang. Despite the jury’s recommendation for mercy, he was hanged on 10 April 1888.

Many believe him innocent of the crime. Was he? I doubt we’ll never know.